Albina N

Serie interactieve, geluidproducerende sculpturen

Serie interactieve, geluidproducerende sculpturen

Serie interactieve, geluidproducerende sculpturen

Serie handgemaakte borduurmotieven

Serie handgemaakte borduurmotieven

Serie handgemaakte borduurmotieven

Ruimtelijke constructie

Ruimtelijke constructie

Documentary pictures from the research trip to Albania in 2024 to see the ecological impact of growing tourism caused by social media promotion campaign. / Plastic island found in the Drin River - the only way for tourist to rich the starting point of the most promoted hiking rout.

Documentary pictures from the research trip to Albania in 2024 to see the ecological impact of growing tourism caused by social media promotion campaign. / Encounter with the packhorses carrying tourists’s suitcases on the hike across the mountain range between the villages Valbonё and Theth.

Series of documentary photographs from the research trip to Albania in 2024 aimed to see the ecological impact of growing tourism caused by social media promotion campaign.

The writing is an overview of development of the human-nature relationships through the prism of science, humour, and self-reflection.

The writing is an overview of development of the human-nature relationships through the prism of science, humour, and self-reflection.

The writing is an overview of development of the human-nature relationships through the prism of science, humour, and self-reflection.

The writing is an overview of development of the human-nature relationships through the prism of science, humour, and self-reflection.

An abstract poem inspired by personal experience of moving to the Netherlands and adjusting to the realities of new culture, new weather conditions, and new daily routine.

Salt rocks undergo a long geological formation process which contains multiple stages. Firstly, eroded sediments sink into the water and end up on the bottom of lakes, seas and oceans. Thousands, sometimes millions, of years of deposition leads to a build up of sedimentary layers. Besides mining, there is another way of collecting salt. Harvesting from bodies of water - seas, oceans, and lakes. This process requires the excavation of pools where saltwater can be captured and evaporated by the sun and wind. The evaporation process leaves behind layers of salt crystals that can only be harvested at certain times of the year. In contrast to elements in the natural environment - such as the sun’s heat and the wind - in the artificial setting radiators, and air conditioning within the space exist. So too does the presence of the viewer affects air movement. Whilst the transformation of salt from solid to liquid, and back to solid state in the natural world usually takes a long period of time, the installation has accelerated this process to a matter of days. Just as labourers must wait for the right time of year, the change in the work requires patience to see the metamorphosis. The difference in the speed of dissolving in every object invites to navigate through space, to pay attention to the small details, and truly examine the minutiae of the change.

Salt rocks undergo a long geological formation process which contains multiple stages. Firstly, eroded sediments sink into the water and end up on the bottom of lakes, seas and oceans. Thousands, sometimes millions, of years of deposition leads to a build up of sedimentary layers. Besides mining, there is another way of collecting salt. Harvesting from bodies of water - seas, oceans, and lakes. This process requires the excavation of pools where saltwater can be captured and evaporated by the sun and wind. The evaporation process leaves behind layers of salt crystals that can only be harvested at certain times of the year. In contrast to elements in the natural environment - such as the sun’s heat and the wind - in the artificial setting radiators, and air conditioning within the space exist. So too does the presence of the viewer affects air movement. Whilst the transformation of salt from solid to liquid, and back to solid state in the natural world usually takes a long period of time, the installation has accelerated this process to a matter of days. Just as labourers must wait for the right time of year, the change in the work requires patience to see the metamorphosis. The difference in the speed of dissolving in every object invites to navigate through space, to pay attention to the small details, and truly examine the minutiae of the change.

Salt rocks undergo a long geological formation process which contains multiple stages. Firstly, eroded sediments sink into the water and end up on the bottom of lakes, seas and oceans. Thousands, sometimes millions, of years of deposition leads to a build up of sedimentary layers. Besides mining, there is another way of collecting salt. Harvesting from bodies of water - seas, oceans, and lakes. This process requires the excavation of pools where saltwater can be captured and evaporated by the sun and wind. The evaporation process leaves behind layers of salt crystals that can only be harvested at certain times of the year. In contrast to elements in the natural environment - such as the sun’s heat and the wind - in the artificial setting radiators, and air conditioning within the space exist. So too does the presence of the viewer affects air movement. Whilst the transformation of salt from solid to liquid, and back to solid state in the natural world usually takes a long period of time, the installation has accelerated this process to a matter of days. Just as labourers must wait for the right time of year, the change in the work requires patience to see the metamorphosis. The difference in the speed of dissolving in every object invites to navigate through space, to pay attention to the small details, and truly examine the minutiae of the change.

Salt rocks undergo a long geological formation process which contains multiple stages. Firstly, eroded sediments sink into the water and end up on the bottom of lakes, seas and oceans. Thousands, sometimes millions, of years of deposition leads to a build up of sedimentary layers. Besides mining, there is another way of collecting salt. Harvesting from bodies of water - seas, oceans, and lakes. This process requires the excavation of pools where saltwater can be captured and evaporated by the sun and wind. The evaporation process leaves behind layers of salt crystals that can only be harvested at certain times of the year. In contrast to elements in the natural environment - such as the sun’s heat and the wind - in the artificial setting radiators, and air conditioning within the space exist. So too does the presence of the viewer affects air movement. Whilst the transformation of salt from solid to liquid, and back to solid state in the natural world usually takes a long period of time, the installation has accelerated this process to a matter of days. Just as labourers must wait for the right time of year, the change in the work requires patience to see the metamorphosis. The difference in the speed of dissolving in every object invites to navigate through space, to pay attention to the small details, and truly examine the minutiae of the change.

Salt rocks undergo a long geological formation process which contains multiple stages. Firstly, eroded sediments sink into the water and end up on the bottom of lakes, seas and oceans. Thousands, sometimes millions, of years of deposition leads to a build up of sedimentary layers. Besides mining, there is another way of collecting salt. Harvesting from bodies of water - seas, oceans, and lakes. This process requires the excavation of pools where saltwater can be captured and evaporated by the sun and wind. The evaporation process leaves behind layers of salt crystals that can only be harvested at certain times of the year. In contrast to elements in the natural environment - such as the sun’s heat and the wind - in the artificial setting radiators, and air conditioning within the space exist. So too does the presence of the viewer affects air movement. Whilst the transformation of salt from solid to liquid, and back to solid state in the natural world usually takes a long period of time, the installation has accelerated this process to a matter of days. Just as labourers must wait for the right time of year, the change in the work requires patience to see the metamorphosis. The difference in the speed of dissolving in every object invites to navigate through space, to pay attention to the small details, and truly examine the minutiae of the change.