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Henna Hyvärinen

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  • Minuška, Photo: Johanna Naukkarinen
    info

    Minuška - A solo exhibition at Titanik, Turku, Finland 7.6.–7.7.2024 showcasing an experimental short documentary series from 2022-2024 Pussycat Soup (2022), Sugar Water (2023) and Minuška (2024). Still: Minuška (Selfie, 2024, 15:48, 4K-video with stereo sound), a documentary based on a parallel-language interview with Natalia Giloeva/Hiloin Natoi, a Karelian language expert and activist on the development of Livvi-Karelian – the mother tongue of my family, which I don’t speak. Natoi works as the sole translator and newscaster for the Finnish Broadcasting Company Yle in Karelian, creating contemporary words and terms to bring the endangered language up to date. Minuška (eng.Selfie)

    Minuška, Photo: Johanna Naukkarinen, 2024
    4K-video, stereo sound, 15min 48s
  • When A Girl Wants - echo + seashell feat. Torus - Video by Joep Truijen
    info

    Music video for When A Girl Wants - echo + seashell feat. Torus - Video by Joep Truijen - Lyrics by Susan Kooi and Henna Hyvärinen Music produced by Torus Recorded at Red Bull Music Studio Amsterdam in 2020 Music video by Joep Truijen (CGI) and Joeri Woudstra (editing)

    When A Girl Wants - echo + seashell feat. Torus - Video by Joep Truijen, 2024
    4K-video, animation, stereo sound, 2min 37s
  • HIC ENDA THU by echo+seashell (produced by Torus and Figurine) Video directed by Trees Heil
    info

    Music video for HIC ENDA THU by echo+seashell (produced by Torus and Figurine) Video directed by Trees Heil (2024) - Sample from Time (2001) by Figurine Lyrics by Henna Hyvärinen and Susan Kooi Mixed by Samuli Tanner - Camera and editing: Trees Heil Costumes: Maxivive, echo+seashell Lighting design: Luke van Wijk Assistant: Lejla Verheus - Title design: Lizzy Jongedijk Postproduction: Henna Hyvärinen Video produced by echo+seashell - Recorded at de Roode Bioscoop in Amsterdam - Hic Enda Thu EP, Minna Records, 2024

    HIC ENDA THU by echo+seashell (produced by Torus and Figurine) Video directed by Trees Heil , 2024
    HD-video, stereo sound, 2min 8s
  • Sugar Water, short documentary, collection of stills
    info

    Screenshots from Pussycat Soup (2022,13:50) and Zuaharivetty/Sugar Water (2023,11:40), both 4K-video and digital animation with stereo sound The completed series can be accessed online by contacting the artist.

    Sugar Water, short documentary, collection of stills, 2023
    4K-video, digital animation, stereo sound, 11min 40s
  • echo+seashell (Susan Kooi and Henna Hyvärinen) portrayed by Lukas Malte Hoffmann
    info

    echo+seashell after their performance at W139, Amsterdam, October 2023. Nails by Piet Langeveld Photo: Lukas Malte Hoffmann

    echo+seashell (Susan Kooi and Henna Hyvärinen) portrayed by Lukas Malte Hoffmann , 2023
    Performance, 20min
  • Pussycat Soup, short documentary
    info

    Pussycat Soup A solo exhibition at Outo Olo (Helsinki, October 2022) displaying the first part of the documentary series, Pussycat Soup (13:50, 2022, 4K-video with stereo sound) exploring themes of mother-daughter relationships, the interviewee’s identity as an Orthodox Karelian and her thoughts on cultural revival, as well as intergenerational trauma, love, feminism, discomfort and something lost in translation.

    Pussycat Soup, short documentary, 2022
    4K-video, stereo sound, 13min 50s
  • Sorbus: Wasted Years - Sad, sexy, and artist-run
    info

    Wasted Years - Sad, sexy, and artist-run A printed publication edited by the artist-run space Sorbus, published in August 2020. From the perspective of the small northern art space, it opens up a view of art, artist work, and self-organised artist-run initiatives in the 2010s, and outlines ways to approach exhibiting art in the future. The publication includes texts from a number of artists and writers, and was published by Khaos Publishing. Pages: 192, Measures: 220 x 305 mm, Language: English, Graphic design: Tsto More information: https://www.sorbus.fi/wasted-years/

    Sorbus: Wasted Years - Sad, sexy, and artist-run , 2020
    Co-editor, Publication, 192 pages
  • Photo by Franz Mueller Schmidt
    info

    Henna portrayed with her work at De Ateliers, Once a Closely Guarded Secret, Amsterdam, Offspring 2019

    Photo by Franz Mueller Schmidt, 2019
    Fabric, bleach , Dimensions variable
  • Once a Closely Guarded Secret, De Ateliers Offspring show 2019
    info

    Once a Closely Guarded Secret De Ateliers Offspring show 2019 curated by Martin Herbert, De Ateliers, Amsterdam 25.05-10.06.2019 Video installation with bleached and dyed fabric (dimensions variable) and HD-video with sound (Horcrux, 2019, continuous loop 12:09 min) Photo: Franz Mueller Schmidt

    Once a Closely Guarded Secret, De Ateliers Offspring show 2019 , 2019
    Mixed media, Dimensions variable
  • Tender Keys/Muddy Tongues
    info

    Tender Keys/Muddy Tongues A performance commissioned by Spring Performance Festival Amsterdam

    Tender Keys/Muddy Tongues , 2019
    Performance, 20min15s
  • Root Canal: Every Loft Needs a Sink
    info

    Every Loft Needs a Sink A group show curated by Root Canal (Anders Dickson, Frieder Haller, Henna Hyvärinen, Thomas Swinkels), Vleeshal, Middelburg (NL) 14.7.-15.9.2019 A group exhibition encapsulated in five wooden attics doubling the original location of Rootcanal's art space in Amsterdam. Originally used as storage, attic space was affordable and often rented by artists as studios and homes. Over time, the attic - or loft - has slipped into an interesting discourse of economic interest, with tight square meters of multi-layered memory. Artists: Lauri Ainala, Susan Cianciolo, Keren Cytter, Catharine Czudej, Jacob Dwyer, Manuela Gernedel & Fiona Mackay, Hanna-Maria Hammari, Niklas Taleb, Madelon Vriesendorp. Photo: Franz Mueller Schmidt

    Root Canal: Every Loft Needs a Sink, 2019
    Co-curating, multidisplinary, variable
  • Root Canal: Roots on Wheels
    info

    Roots on Wheels A group show curated by Root Canal driving around the town during the Amsterdam Art Weekend in November 2018. The camper van was parked in several hotspots and empty parking lots with works from Benedikte Bjerre, Buck Ellison, Chris Evans, Olga Pedan, Julika Rudelius, Angharad Williams and Betty Sachs. See full documentation and listen to car radio program: http://rootcanal.eu/ Photo: Frieder Haller

    Root Canal: Roots on Wheels, 2018
    Co-curating, multidisplinary, variable
Sommige informatie is alleen beschikbaar in het Engels
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Henna Hyvärinen (geboren in Finland) is een kunstenaar woonachtig in Den Haag die video, performance en tekst gebruikt om autofictionele verhalen te creëren. Ze gebruikt humor en haar interesse in het absurde om dichter bij thema's te komen die anders misschien ongemakkelijk of griezelig aanvoelen. Hyvärinen heeft deel uitgemaakt van collectieven en artist-run initiatieven zoals het muziekperformance duo echo+seashell (met Susan Kooi, 2011-), en artist-run ruimte en collectief Sorbus (2013-2020) in Helsinki. Ze studeerde in 2014 af met een MFA aan de University of the Arts in Helsinki en was in 2017-2019 deelnemer aan het residentieprogramma De Ateliers in Amsterdam, waar ze samen met medebewoners Root Canal oprichtte, een nomadisch kunstenaarsinitiatief.

Samenwerkingsverband

echo+seashell, Root Canal, Sorbus

Websites

Website van galerie Titanik (FI), persbericht van mijn solotentoonstelling (2024)

www.titanik.fi/hyvarinen/

Website van echo+seashell, performance duo samen met Susan Kooi

www.echoseashell.com/

Website van Root Canal, artistiek-curatorisch collectief, samen met Anders Dickson, Frieder Haller en Thomas Swinkels

rootcanal.eu/

Kunstwerken in de databank van de Finse Nationale Galeri

www.kansallisgalleria.fi/en/object/5950145

Social media

www.instagram.com/hyvarinen_henna/?locale=en
www.instagram.com/echoplusseashell/
music.apple.com/us/artist/echo-seashell/1729801975
open.spotify.com/artist/3xQBkP0swR75QDGbMnNy2f

Maakt deel uit van Kunstenaarsinitiatief / Collectief / Broedplaats

echo + seashell (2011-), Root Canal (2018-), Sorbus (2013-2021)

Curriculum vitae

Opleidingen

  • 2017 - 2019
    Onafhankelijk kunstenaarsinstituut Amsterdam, De Ateliers
  • 2013 - 2013
    Studiemodule performance kunst 6 maanden University of the Arts Helsinki, Theater Academy
  • 2012 - 2012
    Erasmus uitwisseling, Afdeling VAV Gerrit Rietveld Academie, Amsterdam
  • 2012 - 2013
    KUNO-Nordplus uitwisseling, Beeldende Kunst Royal Institute of Art in Stockholm
  • 2012 - 2014
    Master in de Beeldende Kunsten University of the Arts Helsinki Diploma behaald
  • 2008 - 2012
    Bachelor in de Beeldende Kunst Finnish academy of fine arts Helsinki Diploma behaald

tentoonstellingen

projecten

  • 2025
    Feels Like Home Kiasma Museum of Contemporary Art Helsinki Helsinki, Finland kiasma.fi/en/exhibitions/feels-like-home/ Feels Like Home exhibition reflects on the theme of home and belonging through contemporary art. Belonging is linked to identity – to who we are and where we come from. The featured artworks show that home can be a physical place, a community, or a state of mind. Home can also be found in a language or culture. But how does it feel not to belong? The exhibition shares experiences of how it feels when home is lost or far away, whether by choice or force of circumstance. War and exile can sever ties with loved ones and beloved places. Loss and longing can be passed down through generations. As the artworks show, individual experiences are intertwined with social change and broader historical events. Home and belonging are important topics of discussion in today’s Finland. Many of us are touched on a personal level by migrations and diasporic transitions. Finland has grown more diverse, and Finnish artists, too, come from a growing variety of cultural backgrounds. A museum is a place for coming together and understanding each other, and art can offer a means of understanding the past and imagining the future. The artworks featured in this exhibition are from the collections of the Finnish National Gallery.
  • 2024
    Minuška Titanik-gallery Turku, Finland www.titanik.fi/hyvarinen/ Minuška is an exhibition that concludes an experimental autobiographical documentary series exploring the daily life of my Orthodox-Karelian family. The three videoworks on display dive into the legacy of people who fled the Ladoga Karelia region, which was ceded to the Soviet Union in 1939-40, and dispersed to various parts of Finland today. What does it mean to be Karelian, and how is it reflected in their everyday lives in Finland today? What is the status and future prospects of Karelian culture as seen by the different generations of Karelians themselves? Combining moving image, chromakey editing, animation, interviews and narrative text, the video triptych is my first work utilising Liygi, a form of Karelian language spoken by my family. Each episode examines one protagonist: Pussycat soup (2022) explores themes of mother-daughter relationships, the interviewee’s identity as an Orthodox Karelian and her thoughts on cultural revival, as well as intergenerational trauma, love, feminism, discomfort and something lost in translation. The second part of the series, Zuaharivetty (Sugar Water, 2023) is based on conversations with the eldest Liygi-speaking family member, who shares his personal experiences of immigrating from Ladoga Karelia, his place of birth. The work documents his coming-of-age memories as a Karelian in post-war Finland, his love for dancing and horse sports, and outlines the dynamics between the Karelian and ‘local’ communities today. Minuška (Selfie, 2024) is based on a parallel-language interview with Natalia Giloeva, a Karelian language expert, teacher, translator and researcher, about the development of Livvi-Karelian – the mother tongue of my family, which I do not speak. Giloeva (Hiloin Natoi) is also the only translator and newscaster currently working for the Finnish Broadcasting Company Yle in Karelian. The third episode (Minuška) which premieres at Titanik, is a road trip to the heart of Karelian studies – a deep dive through a tongue that mirrors the far-reaching effects of assimilation in me as the author of this series. Karelian is the closest related language to Finnish, and was only recognised as a non-regional minority language in Finland in 2009. However, the endangered language is not mentioned in any Finnish legal text and Finnish Karelians lack legal rights to their own language and culture.
  • 2024
    When A Girl Wants - echo + seashell feat. Torus - Video by Joep Truijen echo+seashell (Susan Kooi and Henna Hyvärinen) Amsterdam, Den Haag, Nederland www.youtube.com/watch?v=JVlV3E9cWC4 Music video: When A Girl Wants - echo + seashell feat. Torus - Video by Joep Truijen
  • 2024
    Heresy - echo + seashell feat. Torus - Video by Sophie Lee echo+seashell (Susan Kooi and Henna Hyvärinen) Amsterdam, Den Haag , Nederland www.youtube.com/watch?v=zWOn_qJ5JTc Music video: Heresy - echo + seashell feat. Torus - Video by Sophie Lee
  • 2021
    Pogo Bar Podcast: Root Canal I'll Never be a Star I've Always Been the Moon KW Institute for Contemporary Art Berlin / Online, Duitsland www.kw-berlin.de/en/pogo-bar-podcast-root-canal/ Fourteen artists, musicians and writers were invited to contribute to the mix tape I’ll Never be a Star I’ve Always Been the Moon (60min), initiated by the artist collective Root Canal. As a constructive answer to the difficulties of organizing physical exhibitions in the past year, the mix tape is recorded on classic tape cassettes, which are sent out to potential listeners and bring a group exhibition to their homes. Every contributor received carte blanche for the content of their recording, with the sole restriction that it could not be longer than 5 minutes. The resulting mix tape is in an eclectic amalgam of contributions ranging from spoken word to noise poetry to dream interpretations, alternated among others with Finnish rap, garage punk and cover songs. Contributing artists: Yong Xiang Li, Elif Saydam, Kuupuu featuring Draama-Helmi, echo+seashell featuring Torus, Luzie Meyer, Manuela Gernedel, Nicolas Ceccaldi, Michiel Huijben, No Ice!!!, TRJJ, Vittorio Brodmann, Lonely Boys, VE holdings featuring Sakeul and Mona Varichon, Zoë d’Hont Root Canal consists of the artists Anders Dickson, Frieder Haller, Henna Hyvärinen and Thomas Swinkels. In 2017, they started their exhibition practice in an attic in the east of Amsterdam where the four lived together. Upon leaving their attic space, the initiative has continued to exist nomadically. They curated exhibitions in various unofficial but invaluable exhibition spaces locations, such as a camper van, bedrooms, a gallery basement, as well as at the Vleeshal Center for Contemporary Art, Middelburg, NL.
  • 2020
    Wasted Years - Sad, sexy, and artist-run Khaos Publishing Helsinki, Finland www.sorbus.fi/ Wasted Years – Sad, sexy, and artist-run is a printed publication edited by the artist-run space Sorbus, published in August 2020. From the perspective of the small northern art space, it opens up a view of art, artist work, and self-organised artist-run initiatives in the 2010s, and outlines ways to approach exhibiting art in the future. The publication includes texts from a number of artists and writers, and was published by Khaos Publishing. Sorbus gallery was an art space operating in Helsinki from 2013 to 2019. It was run by six artists who wanted to fight against their own paralysis, create conditions for the kind of doing they felt was lacking in their environment, generate concrete experiences of alternative approaches for themselves and other artists, and thus put activism into practice in the art field. During the extensive artistic project, the ripe vapours of Sorbus wafted far beyond the gallery walls, and the working group got the opportunity to collaborate with some 300 artist colleagues and others involved in art in different ways. Whatever Sorbus is has evolved from these encounters. Accordingly, the Wasted Years publication is also made up of many voices: it includes 16 contributions from writers, artists, friends and acquaintances—people who, in one way or another, have influenced Sorbus. In addition, the publication includes excerpts from email interviews with artists; photographs of exhibitions and events; as well as other dank archive material. Edited by Sorbus (Otto Byström, Henna Hyvärinen, Jonna Karanka, Mika Palonen, Sakari Tervo, Tuomo Tuovinen) 192 pages Language: English isbn 978-952-68478-5-6 Publisher: Khaos Publishing, 2020 Wasted Years includes commissioned texts by: Pauliina Haasjoki, Lukas Malte Hoffmann & Susan Kooi, Juho Hänninen, Vappu Jalonen, Veera Jussila, Steph Kretowicz, Kim (Kaino) Modig, Eva Neklyaeva, Jyrki Nissinen, nynnyt, Jaakko Pallasvuo, Mikko Piispa, Cory John Scozzari, Sini Silveri, Megan Snowe, and Mervi Vuorela
  • 2019
    Every Loft Needs a Sink Vleeshal, Middelburg Middelburg, Nederland vleeshal.nl/en/archive/every-loft-needs-a-sink Every Loft Needs a Sink is a group show curated by Root Canal (Anders Dickson, Frieder Haller, Henna Hyvärinen, Thomas Swinkels) exhibiting works from artists Lauri Ainala, Susan Cianciolo, Keren Cytter, Catharine Czudej, Jacob Dwyer, Manuela Gernedel & Fiona Mackay, Hanna-Maria Hammari, Niklas Taleb and Madelon Vriesendorp. The artist collective Root Canal met in 2017 at a two year residency De Ateliers and moved to the same apartment in Amsterdam. They started their exhibition practice in their attic. Upon leaving their apartment, the initiative has embraced a nomadic identity. For the exhibition at Vleeshal, Root Canal explored the weird terrain between varying systems of how information, ­objects and memories are categorized. This is elicited in the act of rebuilding the original Root Canal exhibition space: a group of life-sized attic spaces hovered in the late Gothic architecture of Vleeshal. The indexing of objects and data is demonstrated in the way that individual artists and positions inhabit the attic space; thus illustrating these differing ­methods and characteristics. Over time the attic—or loft—has slipped into an interesting discourse for economic consideration. Originally used as ­storage, the attic was affordable and often rented by artists as studios and homes. Accompanying the gentrification and rising number of people moving to the city, the attic gradually transitioned from undesirable to luxurious. Today the idea of the ­studio loft is ­synonymous with what we ­envision as a fancy living situation in a busy city. In homage to their first site, Root Canal aimed to utilize the attic space through the reconstructed versions of it as a ­psychic substitute for the mind. In Vleeshal, the participating artists were partitioned into both solo and group presentations. Looking to Gaston Bachelard’s writing on the appearance of the attic in dreams, it is recognized as the seat of enlightenment and perhaps also as a collective consciousness. By further consideration of its use again in the waken life as a recess or cavity in the house-body, it functions more as a niche for secrets, and a place to protect treasured items. Further still, could it not also be the location where manifestations of psychologically repressed experiences appear? Review: https://www.moussemagazine.it/magazine/every-loft-needs-sink-vleeshal-middelburg-francesco-tenaglia-2019/ Website of the collective: https://rootcanal.eu/

Internationale uitwisselingen / Artist-in-residencies

  • 2023
    Cite Internationale des Arts, Paris, FR Parijs, Frankrijk Internationale kunstenaarsresidentie www.citedesartsparis.net/
  • 2014
    Artist in Residency bij Hotel Maria Kapel, Hoorn, Nederland Hoorn , Nederland Kunstenaarsresidentie bij Hotel Maria Kapel in Hoorn www.hotelmariakapel.nl/

Aankopen/werken in collecties

  • 2024
    Sugar Water (2023) Collectie Museum van Hedendaagse Kunst Kiasma Helsinki Helsinki, Finland Korte film Link: https://www.kansallisgalleria.fi/en/object/5950145
  • 2024
    Minuška / Selfie (2024) Collectie Museum van Hedendaagse Kunst Kiasma Helsinki Helsinki, Finland Korte film https://www.kansallisgalleria.fi/en/object/5950140
  • 2023
    Pussycat Soup (2022) Collectie Museum van Hedendaagse Kunst Kiasma Helsinki Helsinki, Finland Korte film Link: https://www.kansallisgalleria.fi/en/object/3623864
  • 2018
    Tender Keys/Muddy Tongues (Bikini), 2018 Vleeshal Centrum voor hedendaagse kunst, Editions 2018 Middelburg, Nederland Sculptuur van stof Link: https://vleeshal.nl/shop/tender-keys-muddy-tongues-bikini-work

publicaties

  • 2024
    Feels Like Home, A Museum of Contemporary Art Publication 180 / 2024 Catalogus Museum of Contemporary Art Kiasma Carmen Baltzar, Leevi Haapala, Saara Hacklin, Saara Karhunen, Satu Oksanen & Irina Poleshchuk Helsinki, Finland museoshop.fi/en/collections/feels-like-home-collection-exhibition/products/kuin-kotonaan-feels-like-home?_fid=3f7a80234&_pos=1&_ss=c Catalogus voor Feels Like Home - collectietentoonstelling in Kiasma Helsinki 12.1.2024 - 12.1.2025 Deze tentoonstellingscatalogus onderzoekt de noties van thuis en erbij horen in de hedendaagse kunst. Waar komt ons thuisgevoel vandaan en wat geeft ons het gevoel erbij te horen? Wat gebeurt er als dat gevoel gekenmerkt wordt door tegenstrijdigheid?
  • 2021
    MÁSCARAS (MASKS) Boek Mousse publishing João Laia and Valentinas Klimašauskas Porto, Portugal www.galeriamunicipaldoporto.pt/EN/edicoes/mascaras-masks/ Boek gepubliceerd als onderdeel van de groepstentoonstelling Máscaras (Maskers). Het tentoonstellingsproject, samengesteld door João Laia en Valentinas Klimašauskas, richtte zich op de rol van maskers door de geschiedenis heen, gematerialiseerd in het werk van eenentwintig kunstenaars.
  • 2021
    Death to the Curator Boek Kunsthall Oslo Alta Art Space, Bananskolen & Goodiepal, Gize, hangmenProjects, Khartoum Contemporary Art Center, Kling & Bang, Manège, Podium, Skogen, Small Projects, Sorbus, Sydhavn Station, Tenthaus, Third Space, Vandaler forening, Vermilion Sands Oslo, Noorwegen kunsthalloslo.no/?p=11601&lang=en Door kunstenaars gerunde cultuur in Scandinavië Onder redactie van Kunsthall Oslo, 201 pagina's ISBN 978-82-690658-5-5
  • 2020
    Wasted Years – Sad, sexy, and artist-run Boek Khaos Publishing Sorbus collective, Pauliina Haasjoki, Lukas Malte Hoffmann & Susan Kooi, Juho Hänninen, Vappu Jalonen, Veera Jussila, Steph Kretowicz, Kim (Kaino) Modig, Eva Neklyaeva, Jyrki Nissinen, nynnyt, Jaakko Pallasvuo, Mikko Piispa, Cory John Scozzari, Sini Silve Helsinki, Finland www.khaospublishing.com/wasted-years Wasted Years – Sad, sexy, and artist-run is a printed publication edited by the artist-run space Sorbus, published in August 2020. From the perspective of the small northern art space, it opens up a view of art, artist work, and self-organised artist-run initiatives in the 2010s, and outlines ways to approach exhibiting art in the future.
  • 2019
    Once a Closely Guarded Secret, De Ateliers Offspring 2019 Catalogus De Ateliers Martin Herbert Amsterdam, Nederland www.de-ateliers.nl/event/offspring-2019-once-a-closely-guarded-secret/ Jaarlijkse tentoonstellingscatalogus, voorjaar 2019

Recensies

Prijzen en stipendia

  • 2024
    Project grant, Films and media art  AVEK Audiovisual Centre Finland  Helsinki, Finland Project grant for experimental short documentary  
  • 2021
    Upstream: Music x Design   Stimuleringsfonds Creatieve Industrie  Rotterdam, Nederland W.A.G.Σ. is een project tussen muziekkunstenaars echo + seashell en digitale makers Joep Truijen en Joeri Woudstra. Het project heeft als doel de perceptie van het vrouwelijk lichaam in een muzikale context te bevragen. 
  • 2021
    Grants for artists  Kone Foundation  Helsinki, Nederland Kone Foundation Scholarship for individual artistic work, 3 years 

artistieke nevenactiviteiten

  • 2021 - 2021
    Conferentiespreker, Collectivity and Context for Action/On artist-run culture in the Nordic region, Kunsthall Oslo
  • 2020 - 2020
    Co-editor, Sorbus collectief: Wasted Years - Sad, sexy and artist-run -publicatie (Khaos Publishing)
  • 2020 - 2020
    Schrijver, essay God was here - (Views on Art, Competition and Community), samen met Tuomo Tuovinen
  • 2013 - 2020
    Sorbus-galerie, co-curator, member van het kunstenaarscollectief in Helsinki, samen met Otto Byström, Jonna Karanka, Mika Palonen, Sakari Tervo, Tuomo Tuovinen. www.sorbus.fi
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