Pippilotta Yerna

As a daughter and a photographer, I had the opportunity to master the narrative by placing death on a stage, surrounded by various elements that could interfere with the way my mother might die. Fear and shock linger around like two actors who both want the lead role. And the world as we know it today functions as the décor. It gives me the idea that I am a snake charmer who controls the danger by letting my mom die over and over again. Until we reach the grand finale and 'control' itself can be bitten

As a daughter and a photographer, I had the opportunity to master the narrative by placing death on a stage, surrounded by various elements that could interfere with the way my mother might die. Fear and shock linger around like two actors who both want the lead role. And the world as we know it today functions as the décor. It gives me the idea that I am a snake charmer who controls the danger by letting my mom die over and over again. Until we reach the grand finale and 'control' itself can be bitten

As a daughter and a photographer, I had the opportunity to master the narrative by placing death on a stage, surrounded by various elements that could interfere with the way my mother might die. Fear and shock linger around like two actors who both want the lead role. And the world as we know it today functions as the décor. It gives me the idea that I am a snake charmer who controls the danger by letting my mom die over and over again. Until we reach the grand finale and 'control' itself can be bitten

As a daughter and a photographer, I had the opportunity to master the narrative by placing death on a stage, surrounded by various elements that could interfere with the way my mother might die. Fear and shock linger around like two actors who both want the lead role. And the world as we know it today functions as the décor. It gives me the idea that I am a snake charmer who controls the danger by letting my mom die over and over again. Until we reach the grand finale and 'control' itself can be bitten

As a daughter and a photographer, I had the opportunity to master the narrative by placing death on a stage, surrounded by various elements that could interfere with the way my mother might die. Fear and shock linger around like two actors who both want the lead role. And the world as we know it today functions as the décor. It gives me the idea that I am a snake charmer who controls the danger by letting my mom die over and over again. Until we reach the grand finale and 'control' itself can be bitten

As a daughter and a photographer, I had the opportunity to master the narrative by placing death on a stage, surrounded by various elements that could interfere with the way my mother might die. Fear and shock linger around like two actors who both want the lead role. And the world as we know it today functions as the décor. It gives me the idea that I am a snake charmer who controls the danger by letting my mom die over and over again. Until we reach the grand finale and 'control' itself can be bitten

As a daughter and a photographer, I had the opportunity to master the narrative by placing death on a stage, surrounded by various elements that could interfere with the way my mother might die. Fear and shock linger around like two actors who both want the lead role. And the world as we know it today functions as the décor. It gives me the idea that I am a snake charmer who controls the danger by letting my mom die over and over again. Until we reach the grand finale and 'control' itself can be bitten

As a daughter and a photographer, I had the opportunity to master the narrative by placing death on a stage, surrounded by various elements that could interfere with the way my mother might die. Fear and shock linger around like two actors who both want the lead role. And the world as we know it today functions as the décor. It gives me the idea that I am a snake charmer who controls the danger by letting my mom die over and over again. Until we reach the grand finale and 'control' itself can be bitten

As a daughter and a photographer, I had the opportunity to master the narrative by placing death on a stage, surrounded by various elements that could interfere with the way my mother might die. Fear and shock linger around like two actors who both want the lead role. And the world as we know it today functions as the décor. It gives me the idea that I am a snake charmer who controls the danger by letting my mom die over and over again. Until we reach the grand finale and 'control' itself can be bitten

As a daughter and a photographer, I had the opportunity to master the narrative by placing death on a stage, surrounded by various elements that could interfere with the way my mother might die. Fear and shock linger around like two actors who both want the lead role. And the world as we know it today functions as the décor. It gives me the idea that I am a snake charmer who controls the danger by letting my mom die over and over again. Until we reach the grand finale and 'control' itself can be bitten

As a daughter and a photographer, I had the opportunity to master the narrative by placing death on a stage, surrounded by various elements that could interfere with the way my mother might die. Fear and shock linger around like two actors who both want the lead role. And the world as we know it today functions as the décor. It gives me the idea that I am a snake charmer who controls the danger by letting my mom die over and over again. Until we reach the grand finale and 'control' itself can be bitten

As a daughter and a photographer, I had the opportunity to master the narrative by placing death on a stage, surrounded by various elements that could interfere with the way my mother might die. Fear and shock linger around like two actors who both want the lead role. And the world as we know it today functions as the décor. It gives me the idea that I am a snake charmer who controls the danger by letting my mom die over and over again. Until we reach the grand finale and 'control' itself can be bitten

As a daughter and a photographer, I had the opportunity to master the narrative by placing death on a stage, surrounded by various elements that could interfere with the way my mother might die. Fear and shock linger around like two actors who both want the lead role. And the world as we know it today functions as the décor. It gives me the idea that I am a snake charmer who controls the danger by letting my mom die over and over again. Until we reach the grand finale and 'control' itself can be bitten

As a daughter and a photographer, I had the opportunity to master the narrative by placing death on a stage, surrounded by various elements that could interfere with the way my mother might die. Fear and shock linger around like two actors who both want the lead role. And the world as we know it today functions as the décor. It gives me the idea that I am a snake charmer who controls the danger by letting my mom die over and over again. Until we reach the grand finale and 'control' itself can be bitten

As a daughter and a photographer, I had the opportunity to master the narrative by placing death on a stage, surrounded by various elements that could interfere with the way my mother might die. Fear and shock linger around like two actors who both want the lead role. And the world as we know it today functions as the décor. It gives me the idea that I am a snake charmer who controls the danger by letting my mom die over and over again. Until we reach the grand finale and 'control' itself can be bitten

As a daughter and a photographer, I had the opportunity to master the narrative by placing death on a stage, surrounded by various elements that could interfere with the way my mother might die. Fear and shock linger around like two actors who both want the lead role. And the world as we know it today functions as the décor. It gives me the idea that I am a snake charmer who controls the danger by letting my mom die over and over again. Until we reach the grand finale and 'control' itself can be bitten

As a daughter and a photographer, I had the opportunity to master the narrative by placing death on a stage, surrounded by various elements that could interfere with the way my mother might die. Fear and shock linger around like two actors who both want the lead role. And the world as we know it today functions as the décor. It gives me the idea that I am a snake charmer who controls the danger by letting my mom die over and over again. Until we reach the grand finale and 'control' itself can be bitten

Losing a parent. What could it look like? A crash? A crime? An accident? Slow or fast? ​ I hereby present my mom - she stars in her own death scene - and myself: the daughter who is looking for the best possible death. Could it be possible to die together someday, I wondered. Controlling the inevitable: it may seem impossible. However, by attempting to, we may be able to cope with what we fear most. ​ As a daughter and a photographer, I had the opportunity to master the narrative by placing death on a stage, surrounded by various elements that could interfere with the way my mother might die. Fear and shock linger around like two actors who both want the lead role. And the world as we know it today functions as the décor. It gives me the idea that I am a snake charmer who controls the danger by letting my mom die over and over again. Until we reach the grand finale and 'control' itself can be bitten

As a daughter and a photographer, I had the opportunity to master the narrative by placing death on a stage, surrounded by various elements that could interfere with the way my mother might die. Fear and shock linger around like two actors who both want the lead role. And the world as we know it today functions as the décor. It gives me the idea that I am a snake charmer who controls the danger by letting my mom die over and over again. Until we reach the grand finale and 'control' itself can be bitten

As a daughter and a photographer, I had the opportunity to master the narrative by placing death on a stage, surrounded by various elements that could interfere with the way my mother might die. Fear and shock linger around like two actors who both want the lead role. And the world as we know it today functions as the décor. It gives me the idea that I am a snake charmer who controls the danger by letting my mom die over and over again. Until we reach the grand finale and 'control' itself can be bitten

As a daughter and a photographer, I had the opportunity to master the narrative by placing death on a stage, surrounded by various elements that could interfere with the way my mother might die. Fear and shock linger around like two actors who both want the lead role. And the world as we know it today functions as the décor. It gives me the idea that I am a snake charmer who controls the danger by letting my mom die over and over again. Until we reach the grand finale and 'control' itself can be bitten

As a daughter and a photographer, I had the opportunity to master the narrative by placing death on a stage, surrounded by various elements that could interfere with the way my mother might die. Fear and shock linger around like two actors who both want the lead role. And the world as we know it today functions as the décor. It gives me the idea that I am a snake charmer who controls the danger by letting my mom die over and over again. Until we reach the grand finale and 'control' itself can be bitten

As a daughter and a photographer, I had the opportunity to master the narrative by placing death on a stage, surrounded by various elements that could interfere with the way my mother might die. Fear and shock linger around like two actors who both want the lead role. And the world as we know it today functions as the décor. It gives me the idea that I am a snake charmer who controls the danger by letting my mom die over and over again. Until we reach the grand finale and 'control' itself can be bitten