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![Orbiter]( "Orbiter")
infoinstallation, sculpture
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![Orbiter]( "Orbiter")
infodetail of installation
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![Almost]( "Almost")
infoInstallation view
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![Overview This Is One Landscape, Divided at Billytown]( "Overview This Is One Landscape, Divided at Billytown")
infoInstallation, Drawing, Sculpture
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![Exhibition Overview at Villa Heike Berlin]( "Exhibition Overview at Villa Heike Berlin")
info -
![The Huge Amount Of Matter Between Me And The Distant Light Source, 2023]( "The Huge Amount Of Matter Between Me And The Distant Light Source, 2023")
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![Collecting Anomalies, 2023]( "Collecting Anomalies, 2023")
info -
![Zwischen Oben und Unten]( "Zwischen Oben und Unten")
infoexhibition overview of the duo exhibition together with Alexander Kadow at Raum linksrechts in Hamburg
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![Zwischen Oben und Unten]( "Zwischen Oben und Unten")
infoexhibition overview of the duo exhibition together with Alexander Kadow at Raum linksrechts in Hamburg
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![Cognitive dissonance]( "Cognitive dissonance")
info -
![Micro - Macro]( "Micro - Macro")
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![Verschiedene Umdrehungen, erweiterter Horizont, Zenith]( "Verschiedene Umdrehungen, erweiterter Horizont, Zenith")
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![OHRIVERSUM - Sensory Threshold LAB 2021]( "OHRIVERSUM - Sensory Threshold LAB 2021")
infoA project initiated by Katherina Heil in collaboration with Alexander Heil and Rik Möhlmann at De Fabriek Eindhoven. ‘As a particle of the atmosphere is never lost, so sound is never lost. A strain of music or a simple tone will vibrate in the air forever and ever, decreasing according to a fixed ratio. The diffusion of the agitation extends in all directions, like the waves in a pool, but the ear is unable to detect it beyond a certain point. It is well known that some individuals can distinguish sounds which to others under precisely similar circumstances are wholly lost. Thus the fault is not in the sound itself, but in our organ of hearing, and a tone once in existence is always in existence.’ [Florence McLandburgh The Automaton Ear 1876] I am walking on the beach. The wind swirls around my body. The waves wash the shore, crashing onto the land in an endless phasing repetition, creating an oscillating swell of noise. I encounter a sea shell. I lift it towards my ear – a maze of sound reveals itself to me. We live immersed in a world of sound. However, most of the sounds are filtered out by the shape of our ear. With this project we want to include ourselves deeply within this world, which extends beyond our daily experience. And thus we began our intuitive search for the relations between the ear, its form, and the resulting sound experience. Eventually, all human ears are built using the same blueprint. Nevertheless, every ear is uniquely shaped like a fingerprint and thus influences our subjective acoustic experience of the world. One could say, that listening beings all together live in their subjective sonic worlds. Therefore, we invented the concept of the Ohriversum (German ‘Ear-verse’) in which the entirety of all listening beings establishes a spatial constellation of these individual worlds. ‘Ohriversum’ takes place as part of the ‘Sensory Threshold LAB’. A group of artists exploring the inaudible dimensions of our reality, forming new collaborations, narratives and metaphors. concept: KATHERINA HEIL, ALEXANDER HEIL, RIK MÖHLMANN contributing artists: SARAH ROSE GUITIAN NEDERLOF, FARZANÉ NOURI, GIJSJE HEEMSKERK, KIM DAVID BOTS Installation: 22 cubic meters sand, plastic bags, textile, wood, speakers, various microphones, laptop, 4 channel speaker system, 117 ceramic sculptures around 20 x 20cm, leader, metal pot and bowl, towels, drawings on paper.
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![Orbiters]( "Orbiters")
infoInstallation view: tentoonstellingsoverzicht van de duotentoonstelling SPACIAL DRIFT bij Exgirlfriend Gallery in Berlijn.
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![2I/2019 Q4 – relational perspective]( "2I/2019 Q4 – relational perspective")
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![1I/2017 U1 – subjective perspective]( "1I/2017 U1 – subjective perspective")
infoinstallatiezicht, Exgirlfriend Gallery, Berlin
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![I dreamt that I was holding the first meteorite]( "I dreamt that I was holding the first meteorite")
infoinstallatiezicht, Exgirlfriend Gallery, Berlin
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info
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![Purple Distance Bending]( "Purple Distance Bending")
infoDigitale collage, MacBook, vulkanische stenen Installatie view: A-DASH project space, Athens Met dank aan Mondriaan Finds Amsterdam
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![Sensory Threshold/ Drawing no. 29]( "Sensory Threshold/ Drawing no. 29")
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info
Almost 2019; fragment van HD-video, installatie, Loop 3D-animatie, HDMI-flatscreen, hoofdtelefoon 120 x 70 cm 3D-animatie gemaakt in samenwerking met Rik Möhlmann mogelijk gemaakt met de steun van Mondriaan Fonds, Amsterdam © 2019 Katherina Heil
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![Sensory Threshold/ Drawing no. 25]( "Sensory Threshold/ Drawing no. 25")
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![Sensory Threshold/ Drawing no. 28]( "Sensory Threshold/ Drawing no. 28")
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![Cosmographia]( "Cosmographia")
infopart of installation/ installation view in A-DASH project space in Athene
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![Downside up]( "Downside up")
infoInstallation view van de group expositie 'Time out of mind' in Billytown, Den Haag Picture Courtesy: Jhoeko, Billytown, The Hague
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info
2min fragment * van Passerby, HD Video, installatie, 10: 00min, 2018 3D-animatie in samenwerking met Rik Möhlmann * volledige video op aanvraag Mogelijk gemaakt met de steun van CBK Rotterdam © 2018 Katherina Heil
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info
Video loop / animation variable size onderdeel van de installatie "Sensory Thresholds I - Spinning on the grid" © 2018 Katherina Heil Met dank aan CBK Rotterdam
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![Passerby]( "Passerby")
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![Sensory Threshold/ Drawing no. 11]( "Sensory Threshold/ Drawing no. 11")
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![Sensory Threshold/ Drawing no. 18]( "Sensory Threshold/ Drawing no. 18")
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![Sensory Threshold/ Drawing no. 16]( "Sensory Threshold/ Drawing no. 16")
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![Potatoearth spinning on the grid / Melting ice caps]( "Potatoearth spinning on the grid / Melting ice caps")
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![Spinning on the grid]( "Spinning on the grid")
infoInstallation
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![Passerby]( "Passerby")
infovideo installation/ part of installation view Nida Art Colony (LT)
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info
Installation / Performance (±90 min) verschillende materialen, combinatie van werken gerealiseerd in De Fabriek Eindhoven, Maart 2017 Voor deze solotentoonstelling heb ik het poëtisch potentieel van de objecten in mijn oeuvre onderzocht. Tijdens de opening onthulde ik deze veranderende verhalen in mijn installatie door de werken met een klein team van drie door de tentoonstellingsruimte te verplaatsen.
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![Things can be seen more easily in motion]( "Things can be seen more easily in motion")
infoInstallatie / Performance (±90 min) verschillende materialen, combinatie van werken gerealiseerd bij De Fabriek Eindhoven, Maart 2017 Voor deze solotentoonstelling heb ik het narrative potentieel van de objecten in mijn oeuvre onderzocht. Tijdens de opening was ik bezig verschillende narratieven te laten zien door het voortdurend verschuiven van de werken door de expositieruimte met een team van drie.
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![Mimesis of tectonics]( "Mimesis of tectonics")
infoDetail van de installatie in Kaus Australis Rotterdam bezoek mijn website om meer details van dit werk te zien
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![Dialogue with a stone (detail)]( "Dialogue with a stone (detail)")
infoDetail van de wandtekening in Kaus Australis Rotterdam bezoek mijn website om meer details van dit werk te zien
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![Being a surface]( "Being a surface")
info2D-afdruk afkomstig van een 3D-afdrukbestand van een 3D-scanproces van een steen
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![Being a stone, Found stone]( "Being a stone, Found stone")
infoInstallatie/ deel van het project 'Dialogue with a stone' Installatie view in het EKWC tijdens mijn residencie bij sundaymorning@ekwc
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![2018]( "2018")
infoInstallatie in het EKWC tijdens mijn residencie bij sundaymorning@ekwc Dank aan Mondriaan en Fonds Kwadraat
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![objetcs in orbit]( "objetcs in orbit")
infoInstallation view van de group expositie 'Time out of mind' in Billytown, Den Haag Picture Courtesy: Jhoeko, Billytown, The Hague
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![Noise]( "Noise")
infoInstallation view van de group expositie 'Time out of mind' in Billytown, Den Haag Picture Courtesy: Jhoeko, Billytown, The Hague
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![Spear]( "Spear")
infodeel van installatie 'Dreaming about the universe' in Greylight Projects, Brussel
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![After You Dream Of Before]( "After You Dream Of Before")
infodeel van installatie 'Dreaming about the universe' in Greylight Projects, Brussel
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![Devided by two]( "Devided by two")
infodeel van installatie 'Dreaming about the universe' in Greylight Projects, Brussel
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![Slippery Slick Yellow Dust]( "Slippery Slick Yellow Dust")
infosculptur bestaand uit twee delen, installatie view in galerie Boetzelaer|Nispen Amsterdam
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!['It could be the goldfish is mistaking the bow-tie for a football']( "'It could be the goldfish is mistaking the bow-tie for a football'")
infoInstallation view of the Group exhibition at Boetzelear|Nispen Amsterdam
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![You found what I was looking for I failed]( "You found what I was looking for I failed")
infoInstallation: paper stacks/ photo copies and stone on plinth plinth:140x95x20cm video projection/ loop: app.33x21cm, Picture Courtesy: Boetzelaer|Nispen Amsterdam, 2015
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![Passerby]( "Passerby")
infodrawing, sculpture/ part of installation view Nida Art Colony (LT)
Websites
persoonlijke website
katherinaheil.de/project website Sensory Threshold LAB
sensorythresholdlab.org/Social media
Maakt deel uit van Kunstenaarsinitiatief / Collectief / Broedplaats
Billytown - artists' initiative Den Haag; Sensory Threshold Lab - Platform For Interdisciplinary Exchange
Platform
Patty Morgan
Lid van Beroeps- / Kunstenaarsvereniging
Stroom Den Haag
BBK Berufsverband Bildender Künstlerinnen und Künstler Germany
VG Bildkunst Germany
Curriculum vitae
Opleidingen
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2017 - 2017RISO print workshop PrintRoom Rotterdam
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2016 - 2016Ceramics, 3D printing Sundaymorning@EKWC Diploma behaald
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2013 - 2015MFA Beeldende Kunst Den Bosch, Academie van Kunst en Vormgeving Diploma behaald
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2010 - 2012Cultuurwetenschappen Humboldt University Berlin
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2006 - 2009Fotografie ('Klasse Prof. Leupold') Diploma behaald
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2006 - 2009Photography University of Applied Art & Design BTK-FH in Berlin, Germany Diploma behaald
tentoonstellingen
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2025Vom Verhalten Zueinander (On Relation) Galerie Hyle Hamburg, Duitsland Duo
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2024Mythology & Matter Sally's Fault Amsterdam, Nederland Duo
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2024The Sea We Want To Sea Korea Foundation Gallery Seoul, Noord-Korea groupstentoonstelling met Afra Eisma, Sam Hersbach, Jiajia Qi. Gecurateerd door Heeseung Choi artviewer.org/the-sea-we-want-to-see-part-1-at-korea-foundation-gallery/ Groep
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2024Sensory Threshold Lab: As Found+ Kunstfort Vijfhuizen Vijfhuizen, Nederland interdisciplinair tentoonstellingsproject www.kunstfort.nl/nl/publieksprogramma/sensory-threshold-lab/ Groep
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2023Intangible Scopes Villa Heike Berlin, Duitsland Duo exhibition with Alexander Kadow - photography, drawing, interdisciplinary 2023 Duo
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2023
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2023L∞p Galerie 21 Vorwerkstift Hamburg, Duitsland Under the exhibition title "L∞p”, the artists Katherina Heil and Rik Möhlmann explore their respective practices, both within and beyond traditional pictorial constraints and engage with various aspects of drawing and painting, including image surface, image carrier, and spatiality. 2023 Groep
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2023This Is One Landscape, Divided Billytown Den Haag, Nederland Een groepsshow met 3 kunstenaars, als onderdeel van een uitwisselingsproject tussen Den Haag en Seoel. 2022 Groep
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2023Aviation Yellow Gallery Leiden, Duitsland groep expositie samen met Gerco de Ruiter en Wouter Stelwagen www.yellow-gallery.com/exhibitions Duo
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2023Mythology & Matter Sally's Fault Amsterdam, Duitsland Een duo-expositie met Sophia Simenski, een artist talk over Mythologie & Materie, en een collaboratieve geluidsperformance. sallysfault.com/ Groep
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2023
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2022Zwischen Oben und Unten Galerie Raum linksrechts Hamburg, Duitsland duo tentoonstelling met kunstenaar Alexander Kadow 2022 Duo
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2022RSVP Billytown Gallery Den Haag, Nederland On January 28th Billytown opened its doors with an exhibition showing the work of 30 artists. After almost two years of shuffling between togetherness and isolation, we recognize the importance of connections, conversations and working relationships as a necessity for any artistic practice. Artists don’t exist in a vacuum, they are part of intricate networks of colleagues, friends, teachers, and family. While we may not yet be able to bring people together, we can bring works together. For this exhibition artists from within Billytown each invited a guest to show a work in parallel with their own. Within this collection of fifteen duo shows, we find artists who collided overseas and ended up living in the same city, and others who passed each other once and never again. Some saw the artist first, others saw their work first, even years beforehand. There are people who have never met, years-long collaborations, provocative challenges, or simply guests who provide encouragement and inspiration. Theoretical connections, material connections, and connections between the present and past. In Billytown, we feel the generative intimacy of working together, but also the chaos it brings. While the connection between each pair is the primary focus, new and unexpected connections appear between other works in the space. As such, each duet provides a guiding voice within the often chaotic context of a large group show. From the wide variety of motivations and impulses behind each artist's invitation, questions arise about the nature of invitation and the potential of collaboration. 2022 Groep
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2022Zwischen Oben und Unten Galerie LinksRechts Hamburg, Nederland For the exhibition 'Zwischen Oben und Unten' the two artists explore similarities in their work and open up new spaces of association. Kadow and Heil share a fascination for the interplay between micro and macrocosmic phenomena. In their works specific properties of the different media (drawing, photography, sculpture) are reflected. 2022 Duo
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2022Sensory Threshold LAB 2022 - Holy Grid Billytown Den Haag, Nederland Architecture is all about serial production. It is already evident in the repetition of elements in ancient temples. Greek temples, for instance, entail several handmade yet serial parts like their columns arranged according to a homogeneous grid. With the industrial revolution, machines took over more and more stages of production. This applies to architectural elements in the same way it applies to a vast number of other products. Many of them, cars for instance, create landscapes of cars. Stored on huge parking lots of the factories, they are waiting to be shipped throughout the world. The ornamentation of the products became more and more subtle, changed, or disappeared entirely. Especially complex ornaments were complicated to manufacture within the factories of the ‘Fordian Revolution’. With the automated serial production of things, the products themselves became sorts of ornaments, arranged in grid patterns like the cars mentioned above, the tiles on your kitchen floor, the windows on the other side of the street, the pavement of the sidewalk you are walking on, the bricks of the building's wall next to you. Now visible in the foreground of our industrially produced world, the grid became an ornament itself, as you can see in this building. But grids do not solely dominate our built environment. They facilitate and rule cyberspace, our communication technologies, and emerge as models as we dive deeper and gain better understanding of how our brain constructs our reality." "Holy Grid! What’s going on? Is our brain really wired to organise our environment and thoughts into homogenous grids? This is what we want to explore and challenge during this years ST LAB. The participants are invited to initiate collaborative approaches, workshops and lectures to create a vast range of positions towards the theme of the grid. Seriality, industrial production, and eventually the grid moved more and more in the foreground of architectural design. You can see this reflected in the building where Billytown is located. New technologies, like the parametric design, producing variants from complex shapes in series is still based on the mesh - a complex grid. Grids do not solely dominate our build environment. They facilitate and dictate cyberspace our communication technologies and they emerge as models as we dive deeper and gain a clearer understanding of how our brain constructs our reality. 2021 Groep
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2022We are just sitting in a room, drawing, until the walls are full Home Gallery Den Haag, Duitsland 'We were just sitting in a room, drawing, until the walls are full.' ... and we were not just sitting in a room, drawing, until the walls are full... while constantly drawing and sticking the works to the walls we create a thin film. The architecture in which we are working will vanish soon. With this project and its transgression into the digital space, this room will somehow outlast the 'sloop' (dutch: demolition) of the whole building block which is a monument of modern Dutch communal architecture. The photogrammetry we will create can be seen as a thin imprint - a ghost - of what was here until it itself will disappear. 2021 Groep
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2022This Is One Landscape, Divided Billytown Den Haag, Duitsland Een groepsshow met 3 kunstenaars, als onderdeel van een uitwisselingsproject tussen Den Haag en Seoel. 2022 Duo
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2022Intangible Scopes Villa Heike Berlin Berlin, Nederland duo tentoonstelling met kunstenaar Alexander Kadow 2022 Groep
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2021
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2021
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2020
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2019Dunes, Meteors, and Spaceships The Orchid and The Wasp Amsterdam, Nederland solo presentatie in het project ruimte The Orchid and The Wasp, gecureerd door Maud Oonk 2018 Groep
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2019
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2019Ohriversum - Sensory Threshold LAB 2021 De Fabriek Eindhoven Eindhoven, Nederland A project initiated by Katherina Heil in collaboration with Alexander Heil and Rik Möhlmann ‘As a particle of the atmosphere is never lost, so sound is never lost. A strain of music or a simple tone will vibrate in the air forever and ever, decreasing according to a fixed ratio. The diffusion of the agitation extends in all directions, like the waves in a pool, but the ear is unable to detect it beyond a certain point. It is well known that some individuals can distinguish sounds which to others under precisely similar circumstances are wholly lost. Thus the fault is not in the sound itself, but in our organ of hearing, and a tone once in existence is always in existence.’ [Florence McLandburgh The Automaton Ear 1876] I am walking on the beach. The wind swirls around my body. The waves wash the shore, crashing onto the land in an endless phasing repetition, creating an oscillating swell of noise. I encounter a sea shell. I lift it towards my ear – a maze of sound reveals itself to me. We live immersed in a world of sound. However, most of the sounds are filtered out by the shape of our ear. With this project we want to include ourselves deeply within this world, which extends beyond our daily experience. And thus we began our intuitive search for the relations between the ear, its form, and the resulting sound experience. Eventually, all human ears are built using the same blueprint. Nevertheless, every ear is uniquely shaped like a fingerprint and thus influences our subjective acoustic experience of the world. One could say, that listening beings all together live in their subjective sonic worlds. Therefore, we invented the concept of the Ohriversum (German ‘Ear-verse’) in which the entirety of all listening beings establishes a spatial constellation of these individual worlds. ‘Ohriversum’ takes place as part of the ‘Sensory Threshold LAB’. A group of artists exploring the inaudible dimensions of our reality, forming new collaborations, narratives and metaphors. Katherina Heil Alexander Heil Rik Möhlmann Sarah Rose Guitian Nederlof Farzané Nouri Gijsje Heemskerk Kim David Bots 2019 Solo
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2018Sensory Thresholds III – Cosmographia A-DASH project space Athene, Litouwen solotentoonstelling bij A-DASH in combinatie met het Symposium 'Cosmographia', gerealiseerd in samenwerking met Rik Möhlmann en PACTO kunstcollectief uit Londen 2017 Solo
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2018Ceramic on the Spot Willem Twee Kunstruimte Den Bosch, Nederland group expositie samen met 24 kunstenaars (EKWC alumni), gecureerd door Ivonne van der Velden 2017 Solo
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2017
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2017Sensory Thresholds I – Spinning on the grid galerieGallery, Rotterdam, Nederland solo presentatie waar ik het eerste hoofdstuk van mijn project Sensory Thresholds introduceerde, waar ik tekeningen, sculpturale stukken en een digitale videocollage toonde in een ruimtelijke installatie in de ruimtes van galerieGallery 2015
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2016Identify your limitations, acknowledge the periphery VITRINE Basel Basel, Nederland Tentoonstelling gecureerd door Alys Williams and Chris Bayley www.vitrinegallery.com/exhibitions/identify-limitations-acknowledge-periphery-round-two/
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2016Time out of mind Billytown Den Haag, Nederland Tentoonstelling gecureerd door Whatspace and Jeroen Doorenweerd www.billytown.org/time-out-of-mind
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2015It could be the goldfish is mistaking the bow-tie for a football Boetzelaer | Nispen Amsterdam, Nederland groeps expositie samen met Bonno van Doorn en Daan Gielis trendbeheer.com/2015/03/17/it-could-be-the-goldfish-is-mistaking-the-bowtie-for-a-football-boetzelaer-nispen/ Groep
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2015hings can be seen more easily in motion http://st-lab.katherinaheil.de/sensory-threshold-lab-2021-ohriversum/ Eindhoven, Nederland in gesprek met Gemma Medina Estupiñan Sensory Threshold Lab 2022 - HOLY GRID! Groep
projecten
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2024
The Sea We Want To See Korea Foundation Seoul, Noord-Korea artviewer.org/the-sea-we-want-to-see-part-1-at-korea-foundation-gallery/ Een groepsexpositie met Afra Eisma, Sam Hersbach en Jiajia Qi als onderdeel van een artistiek uitwisselingsproject tussen Den Haag en Seoul.
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2022
Sensory Threshold Lab 2022 - HOLY GRID! Billytown Den Haag, Nederland st-lab.katherinaheil.de/sensory-threshold-lab-2022-holy-grid/ During Sensory Threshold LAB 2022, HOLY GRID! at Billytown in The Hague, the participants were invited to create, enact, think and talk about grids of all imaginable manifestations. This can be the pavement of a sidewalk, the invisible grid of a computer-generated landscape, or a social grid. (Co-curated with Alexander Heil)
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2021
Sensory Threshold Lab 2021 - OHRIVERSUM Sensory Threshold LAB Eindhoven, Nederland st-lab.katherinaheil.de/sensory-threshold-lab-2021-ohriversum/ During Sensory Threshold LAB 2021, OHRIVERSUM at De Fabriek Eindhoven, the participants explored the world of sound. Especially these sounds we cannot hear because of the shape of our ear. (Co-curated with Alexander Heil)
Internationale uitwisselingen / Artist-in-residencies
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2021A-DASH project space Athene, Griekenland gast atelier/ werkperiode, mogelijk gemaakt met steun van Mondriaan Fonds a-dash.space/
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2018Nida Art Colony of Vilnius Academy of Arts Nida, Litouwen gast atelier/ werkperiode, mogelijk gemaakt met steun van CBK Rotterdam www.nidacolony.lt
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2017De Fabriek Eindhoven Eindhoven, Nederland gast atelier/ werkperiode / solo exhibition www.defabriekeindhoven.nl/
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2016Künstlerhaus Vorwerkstift Hamburg, Duitsland Twee weken residentie bij Vorwerkstift en presentatie bij Galerie 21 in Hamburg. vorwerkstift.de/de/
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2016Stichting Kaus Australis Rotterdam, Nederland gast atelier/ werkperiode, mogelijk gemaakt met steun van Mondriaan Fonds kausaustralis.org/
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2016EKWC - European Ceramic Workcenter, Oisterwijk, NL Oisterwijk, Nederland mogelijk gemaakt met steun van EKWC en Fonds Kwadraat sundaymorning.ekwc.nl/
opdrachten
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2021
Aankopen/werken in collecties
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2025private collector Amsterdam, Nederland Acquisition of 1 drawing, unique, signed
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2023private collectors 2021, Duitsland
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2023private collector 2021, Duitsland Acquisition of drawing, unique, framed, signed
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2022Being A Surface private collector 2021, Nederland Acquisition of wall piece, unique, signed
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2022private collector Berlin, Duitsland Acquisition of 3 Drawings, unique, signed
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2021private collector 2020, Verenigde Staten Acquisition of 1 drawing/ painting, unique, signed
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2021private collectors Hamburg, Duitsland Acquisition of 1 drawing, unique, signed
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20212023 Hamburg, Duitsland Acquisition of 1 drawing/ painting, unique, signed
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2021private collector 2023, Duitsland Acquisition of 1 drawing/ painting, unique, signed
publicaties
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2024Monthly Art South Korea Heeseung Choi
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2024The Sea We Want To See art viewer Heeseung Choi artviewer.org/the-sea-we-want-to-see-part-1-at-korea-foundation-gallery/
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20232019 Lost Painters, Niek Hendrix Nederland
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20232019 art viewer
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20232016 Catalogus BBK Hamburg Barbara Dévény Hamburg, Duitsland Exhibition catalog JETZT:ALLE at Kunsthaus Hamburg.
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20222017 Catalogus Landesverband Hamburger Galerien e. V Angela Holzhauer Hamburg, Duitsland Landesverband Hamburger Galerien e. V., Galeries in Hamburg, Spring | Summer 2022
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2022ZWISCHEN OBEN UND UNTEN ZEICHNUNGEN, FOTOGRAFIEN UND SKULPTUREN VON KATHERINA HEIL UND ALEXANDER KADOW Catalogus Raum linksrechts Christine Preuschl, Patrick Giese, Melanie Klapper, Sebastian Asiedu Hamburg, Duitsland Exhibition catalog 'Zwischen Oben und Unten'
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2021POSITION. Catalogus BBK Hamburg Carsten Rabe Hamburg, Duitsland kunsthaushamburg.de/en/buchveroeffentlichung-position-2-0/# Exhibition catalog POSITION.
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2021Cosmic Latte Boek myself Katherina Heil Den Haag, Duitsland katherinaheil.de/text-cosmiclatte_book.html cosmic latte is not a fancy coffee. it’s the average color of the universe. but the color code is not the focus of this book. it’s the poetic potential of science and outer space which is explored in this work. the visual possibilities of poetry deepen the dialogue between the written word and our associations of imagining the world. earth, cosmos, man, space exploration, earth observation, climate, weather – these topics can be paralyzing regarding their scale, yet at the same time, they open a door to intimate imagination.
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2019Sensory Thresholds III - Cosmographia Boek myself Katherina Heil Rotterdam, Nederland artist book Sensory Thresholds III - Cosmographia is published on the occasion of Katherina Heil’s residency at A-DASH (GR), 1 Feb – 31 March 2019 and was made possible by the generous support of the Mondriaan Funds Publication: digital printing. 40 pages / saddle stitch booklet / 14 x 21 cm Design / Editing: Katherina Heil Publisher: Katherina Heil, Rotterdam
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2019Sensory Thresholds II – Passerby Boek myself Katherina Heil Rotterdam, Nederland katherinaheil.de/text-passerby_booklet.html artist book Sensory Thresholds II – Passerby / katherina heil 2018 Publication: digital printing. 44 pages / saddle stitch booklet / 14 x 21 cm Design / Editing: Katherina Heil Publisher: Katherina Heil, Rotterdam Sensory Thresholds II – Passerby is published on the occasion of Katherina Heil’s residency at Nida Art Colony(LT), 1 Nov – 31 Dec 2018 and was made possible by the generous support of the CBK Rotterdam.
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2016DIALOGUE WITH A STONE Boek myself Katherina Heil Rotterdam, Nederland katherinaheil.de/text-dialoguewithastone_pub.html artist book DIALOGUE WITH A STONE - Katherina Heil 2016 Publication Digital printing/ 90 pages / hand-bound / 14,8 x 21 cm Design/ Editing: Katherina Heil Text: Katherina Heil Photography/ Credits: Katherina Heil 5-7, 11-15, 19-35, 39-47, 51-67, 71-75, 79, 81 Willem Mes 8/9, 16/17, 36/37, 48/49, 68/69, 77, 82/83 Dialogue with a stone is published on the occasion of Katherina Heil’s residency at Stichting Kaus Australis Rotterdam (NL), 1 Oct – 31 Dec 2016 and was made possible by the generous support of the Mondriaan Fund, Amsterdam.
Recensies
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2025Vom Verhalten Zueinander Magazine Lucia Kaufmann for ArtLine Hamburg, Duitsland Publication, print
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2025Magazine Monopol Deutschland Duitsland Publication, online
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2024The Sea We Want to See Magazine Heeseung Choi Nederland artviewer.org/the-sea-we-want-to-see-part-1-at-korea-foundation-gallery/
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2024The Sea We Want To Sea Blog/Vlog Heeseung Choi Seoul, Noord-Korea exhibition review geschreven door curator Heeseung Choi 2023
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2023Unser Norden TV NDR German Broadcaster TV "Unser Norden" Hamburg, Duitsland
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2022Der Lächelnde Hase - Künstlergespräche auf FSK Radio Hamburg Radio Carsten Rabe, Madeleine Lauw Hamburg, Duitsland artist interview
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2018
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2017Things can be seen more easily in motion – Katherina Heil Gemma Medina Estupiñan Eindhoven, Nederland katherinaheil.de/text-review_defabriek.html tijdens mijn residency periode was ik in gesprek met Gemma Medina Estupiñán over mijn praktijk een het werk dat ik in de Fabriek Eindhoven tonde.
Prijzen en stipendia
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2025Onderzoek (sinds 2004) Stroom, Den Haag Den Haag, Nederland
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2025Voucher Biennale Liverpool Mondriaan Fonds, Amsterdam (NL) Amsterdam, Nederland
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2024International Presentation Mondriaan Fund, Amsterdam Seoul, Noord-Korea exhibition grant
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20232021 BKF Berlin Berlin, Duitsland exhibition grant/ artist fee
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2023SPOT exhibition grant (sinds 2004) Stroom, Den Haag 2009, Nederland exhibition grant
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20222023 (sinds 2004) Stroom, Den Haag Den Haag, Nederland exhibition grant
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2022Projectinvestering Kunstenaar Mondriaan Fonds Amsterdam Nederland Projectinvestering Kunstenaar
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2022Bijdrage Gast- en Buitenlandateliers Mondriaan Fonds Amsterdam Amsterdam, Nederland Bijdrage Gast- en Buitenlandateliers
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2021SPOT Subsidie Groepstentoonstelling SPOT STROOM, Den Haag Den Haag, Nederland SPOT Subsidie voor de Groepstentoonstelling OHRIVERSUM - Sensory Threshold LAB 2021 in de Fabriek Eindhoven
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2021Scholarship of Freie und Hansestadt Hamburg Hamburg Hamburg, Duitsland Scholarship of Freie und Hansestadt Hamburg
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2019Projectinvestering Kunstenaar Mondriaan Fonds Amsterdam Amsterdam, Nederland Projectinvestering Kunstenaar
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2018O&O CBK Rotterdam O&O grant Rotterdam, Nederland O&O
artistieke nevenactiviteiten
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2021 - --part of the organization team Billytown Loopt nog
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2009 - --freelance fotograaf Loopt nog