Sabin Garea
Disciplines:
Omschrijving werk
Werk
| Titel | How I added Value to my Work |
| Jaartal | 2017 |
| Omschrijving | In a slow, ongoing, process I file, by hand, an abstract sculpture, transforming it into powder. Through the disparition of this abstract sculpture I am generating a set of tools and devices that slowly replace the disappearing object. |
| Techniek | instalation |
| Formaat | 80/80/80 |
| Titel | Latent Noise |
| Jaartal | 2017 |
| Omschrijving | Part of a longer project, Latent Noise, is a first reflection on the anatomy of simple musical instruments. Vibration and resonance, the core phenomena behind sound making in a musical instrument, become possibilities here since none of these object are finished instruments. |
| Techniek | musical instruments carpentry |
| Formaat |
| Titel | Gorgeous Life |
| Jaartal | 2016 |
| Omschrijving | The work plays with a photographic family archive, using an unconventional book format. The images are blended together in long strips quoting the cinematographic flow of stills behind the projector lens. The pages are not flipped, but they are scrolled in front of the viewer by the turning of a knob. The image content of the book unwinds creating a better immersive experience for the viewer. The archive is a found one. I work with the image, here, in a clinical manner, basing my choices on elements of content, color or composition. This book is a second step of my broader research around the way image operates when stripped of its emotional background. The function of the family picture to mark a certain memory is broken in the absence of a translation of the depicted event. |
| Techniek | inkjet print, wood and aluminum casing |
| Formaat | 50/70/12 |
| Titel | hghknt |
| Jaartal | 2016 |
| Omschrijving | The triptych is an observation on the decorative nature of the architectural space of the highway in Holland. I employ here a decorative technique specific for furniture making in the past centuries, to bring the work in the realm of decorative crafts. I counterbalance the abstract nature of the satellite image depicted in the triptych with the experience of cruising through these spaces. A video screen carries the viewer, on ground level, through various view points positioned inside this highway knots. |
| Techniek | wood inlay, video |
| Formaat | 120/40 |
| Titel | Useless Water Fountain |
| Jaartal | 2014 |
| Omschrijving | When making a water fountain entirely carved out of salt, the purpose of the object became completely absurd. |
| Techniek | salt carving |
| Formaat | 40/40/80 |
| Titel | Index |
| Jaartal | 2015 |
| Omschrijving | |
| Techniek | lambda print, photography |
| Formaat | 100/70, 60/40 |
| Titel | Temple |
| Jaartal | 2012 |
| Omschrijving | |
| Techniek | inkjet print, photography |
| Formaat | 450/450 |
| Titel | In The Absence |
| Jaartal | 2013 |
| Omschrijving | |
| Techniek | lambda print, gelatin silver print |
| Formaat | 60/40 |
| Titel | Rulers |
| Jaartal | 2012 |
| Omschrijving | |
| Techniek | plaster models, inkjet print |
| Formaat | 50/70 |
| Titel | Concrete Paradise |
| Jaartal | 2014 |
| Omschrijving | |
| Techniek | installation |
| Formaat | 300/200/150 |
Omschrijving werk
Persoonsgegevens
| Voorletters | S |
|---|---|
| Kunstenaarsnaam/alias | |
| Samenwerkingsverband | |
| Website | www.sabingarea.com |
Opleidingsgegevens
Erkende vakopleiding
| Academie / instituut & plaats | studierichting / specialisatie | periode van / tot | diploma |
| Den Haag, Koninklijke Academie van Beeldende Kunsten | Master Artistic Research | 2015/2017 | J |
Andere opleiding
| Instituut / docent & plaats | (studie)richting | periode van / tot |
| Bucharest National University of Arts | Master in Photography and dynamic Image | 2010/2012 |
Cursussen, workshops
| Naam instituut & plaats | onderwerp | periode van / tot |
| Bucharest National University of Arts | Bachelor Fine Art | 2000/2004 |
Overige gegevens
| Lid van Beroeps / Kunstenaarsvereniging | |
|---|---|
| Deelnemer van Kunstenaarsinitiatief |
Curriculum vitae
Tentoonstellingen
| jaartal | naam tentoonstellingsruimte | korte omschrijving | solo / duo / groep |
| 2017 | Estonian Museum of Applied Arts and Design in Tallinn | Ajavahe 7-th Tallin Applied Art Triennial | GROEP |
| 2017 | 1646, Den Haag | The ongoing conversation 4 | GROEP |
| 2017 | Nest, Den Haag | Everything must go | GROEP |
| 2016 | Locatie Z, Den Haag | An infinite game of chance | GROEP |
| 2015 | Anca Poterasu Gallery Bucharest | What About Poor Gregor Samsa … | GROEP |
| 2015 | The Space, Bucharest | Bucharest Art Safari | GROEP |
| 2015 | CAV Multimedia Center, Bucharest | Concrete paradise | DUO |
| 2014 | National Museum of Contemporary Art Bucharest | What about y[our] memory | GROEP |
| 2012 | Bile Brehy festival of performance, Prague | Bile Brehy | GROEP |
| 2011 | Anexa, National Museum of Contemporary Art, Bucharest | EEA /Norway Grants/Snapshots: Retrospection and Oppertunities | GROEP |
Projecten
| jaartal | instelling | titel & typering project |
| 2012 | National Museum Contemporary Art Bucharest | Platforma Space art project space |
Internationale uitwisseling
| jaartal | instelling |
| 2013 | Sculpture Symposium Moinesti Romania |
| 2012 | Krems Air Austria |
| 2008 | “ Centu Rays” symposium Tumkur India |
Opdrachten
| jaartal | opdrachtgever | plaats / land | typering opdracht | uitgevoerd |
| 2008 | Municipality of Bacau | Romania | Public Waterfountain Design | J |
Publicaties
| jaartal | titel publicatie | uitgever / samensteller, plaats | typering |
| 2017 | Relay | Koninklijke Academie Beeldende Kunst, Den Haag | krant |
Artistieke nevenactiviteiten
| nevenactiviteit | van | tot |
| Artist talk, Tallin Art Triennial Ajave | 2017 | - |
| Metalworkshop assistant, KABK Den Haag | 2015 | 2017 |