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Now and Now II is a sound installation from my ongoing project "Broken ensemble" in which broken instruments are being resonated by a transducer to project the sounds. An algorithm running on a computer in real time is responsible to produce the music in certain orders and send it to the instruments. The sonic result is shaped by the acoustical characteristics of the instruments as well as the space surrounding the work.
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Resta di Darmi is a sound installation created for Holland Festival 2018 and presented in Rijksmuseum passage, Amsterdam. It was composed for a multichannel loudspeaker setup installed in the passage. The concept was developed by Imogen Eve and the music was composed by Siamak Anvari.
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Composition for WFS
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Electroacoustic composition/performance
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Installation
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Electroacoustic composition/performance
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Installation in collaboration with Sophia Klinkenberg
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Installation in collaboration with Ieva Valule
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Electroacoustic piece for 3 instruments and 4 loudspeakers
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Installation
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Installation
Websites
Lid van Beroeps- / Kunstenaarsvereniging
Research associate at The Institute of Sonology
Curriculum vitae
Opleidingen
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2011 - 2014Sonology Den Haag, Koninklijke Academie van Beeldende Kunsten Diploma behaald
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2011 - 2012Field recording with Justin Bennett The Institute of Sonology
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2005 - 2008Composition Art University of Tehran Diploma behaald
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2001 - 2005Carpet designing Art University of Tehran Diploma behaald
tentoonstellingen
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2019SLOW(36h) The Concertgebouw Brugge www.concertgebouw.be/en/club-surround-wave-field-synthesis-1 Groep
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2017MOOOV, Den Haag Sefrhasht: composition/performance for Wave Field Synthesis system. Groep
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2016KABK Tuen: Sound installation Solo
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2015KABK Undiluted Space: a sound installation in collaboration with architect Sophia Klinkenberg. a sound-space installation Duo
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2015KABK Look at the Sound: a sound installation in collaboration with graphic designer Ieva Valule. A study on intuitive reactions and cooperation of the senses while listening to music or sounds Duo
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2015LOOS Studio Reflection: Reflection is a seven-channel fixed media piece for three traditional instruments (Santur, Setar and Daf) and four loudspeakers. The instruments are used to project the music in combination with the speakers. The sound of the instruments are also the source material for the piece. In fact they are reflecting their own sound in another dimension. Each of these instruments that I have collected over years has lived their own lives and now they come together to share their stories through their vibration. Solo
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2015Vrije Academie Gemak Now and now: is a sound installation, essentially an eternal Groep
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2014Vrije Academie Gemak Threshold: sound installation, This seven-hour piece is my first attempt to go from the concert hall environment to an exhibition situation. The work could be best described as something between a piece of music and an installation.The temporal aspect of music will be less in the foreground; instead the emphasis will revolve around textural and spatial aspects of sound. The sound-installation/composition addresses issues of time, perceiving time and time based spatial experiences. Solo
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2014The Royal Conservatory of The Hague, Arnold Schoenbergzaal Gabbeh: performance, In this piece I tried to concentrate on the dominant qualities of a simple nomadic carpet (Gabbeh) such as simplicity, unity, monotonic, plurality and subtle continuous variation. Gabbeh consists of numerous sine waves like the knots in a rug. These sine waves fill the whole frequency range from very low to very high. All the intricate relationships between these sine waves create various timbre identities, which emerge slowly from the texture and disappear. Groep
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2013The Royal Conservatory of The Hague, Arnold Schoenbergzaal Toranj: performance, One of the important differences between symmetry in visual and sonic realm is that in visual objects the symmetric aspect reveals itself instantly and the perception of symmetry is conveyed at once when you observe it, whereas in music, generally you need time to perceive symmetry. In this composition I used symmetric specialization which works very similar to the concept of immediate perception of symmetry in visual territory. this symmetric specialization works in a geometric level and it associates with our instant understanding of sound sources positioning at any single moment, then time passage is not a fundamental element in perception of the symmetric aspect, but more like sculpting the space. Groep
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2012LOOS Studio Gereh: performance with visuals, Gereh for Setar and live electronics is an attempt to use an Iranian instrument in combination with electronics. In this piece Siamak is trying to explore new sounds of Setar and using extended techniques which is not common for the instrument. The piece is mainly based on improvisation in pre-composed situations. His main inspiration comes from a traditional technique in Persian music, in which there is a singer and an instrument player as accompanist. In this duet, the instrument player accompanies singer while and after each phrase, according to a certain rules. In this piece, Siamak is playing these two roles in interaction with electronics. Solo
projecten
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2015
Graduation Show KABK Final exam show
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2014
Toranj, New Iranian electronic music The DK projection, Spain Event
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2014
LOCUS, Upcoming Iranian artists abroad Vrije Academie Gemak Exhibition
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2013
next_generation Akusmatic ZKM, Karlsruhe Festival
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2013
Composing Spaces Symposium The Institute of Sonology Festival
publicaties
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2014kunstbeeld online blog recensie
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2014Villa Next Door online blog recensie
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2014thedkprojection online blog recensie
Prijzen en stipendia
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2012Best entrance exam scholarship The Royal Conservatory of The Hague
artistieke nevenactiviteiten
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2014 - --soundtracks for video