Disciplines: Fotograaf, Schilder, Tekenaar
Riedstra: contemporary artist > painting projects > drawings > drawingbooks on 'art in dayly life'. Point of departure: Estrangement in a large context, related to the world of today. Riedstra steadily builds a valuable collection of paintings based on contemporary issues. In this painting process the chosen subject is transformed by personal interpretation to a unique image. She uses the abstract form in combination with a realistic form, this creates a necessary tension. The combination of colours that she uses are uncommon and fascinating. Ludwig Trossaert (gallerist)
| Titel | Challenging Nature nr. 8 |
| Jaartal | 2012 |
| Omschrijving | In the Challenging Nature paintings Riedstra is concerned with artificial process of human interference, as a result nature takes itself into it’ s own hand, with all the known consequences. |
| Techniek | oil on canvas |
| Formaat | 90x100 cm |
| Titel | Challenging Nature nr. 7 |
| Jaartal | 2012 |
| Omschrijving | In the Challenging Nature paintings Riedstra is concerned with artificial process of human interference, as a result nature takes itself into it’ s own hand, with all the known consequences. |
| Techniek | oil on canvas |
| Formaat | 90x100 cm |
| Titel | Challenging Nature nr. 6 |
| Jaartal | 2012 |
| Omschrijving | In the Challenging Nature paintings Riedstra is concerned with artificial process of human interference, as a result nature takes itself into it’ s own hand, with all the known consequences. |
| Techniek | oil on canvas |
| Formaat | 90x100 cm |
| Titel | Challenging Nature nr.5 |
| Jaartal | 2012 |
| Omschrijving | In the Challenging Nature paintings Riedstra is concerned with artificial process of human interference, as a result nature takes itself into it’ s own hand, with all the known consequences. |
| Techniek | oil on canvas |
| Formaat | 100x90 cm |
| Titel | Challenging Nature nr. 4 |
| Jaartal | 2011 |
| Omschrijving | In the Challenging Nature paintings Riedstra is concerned with artificial process of human interference, as a result nature takes itself into it’ s own hand, with all the known consequences. |
| Techniek | oil on canvas |
| Formaat | 100x40 cm |
| Titel | Challenging Nature nr. 1 |
| Jaartal | 2011 |
| Omschrijving | In the Challenging Nature paintings Riedstra is concerned with artificial process of human interference, as a result nature takes itself into it’ s own hand, with all the known consequences. |
| Techniek | oil on canvas |
| Formaat | 50x150 cm |
| Titel | Painting project - Such a Pretty Thing n |
| Jaartal | 2010 |
| Omschrijving | The theme behind these paintings: The tendency of parents in modern society to put their child on a pedestal. Almost like a reverse of roles, does the child become the adult's dream or how do they relate to one another and then what is the meaning of this in our concept of beauty |
| Techniek | oil on canvas |
| Formaat | 100x90 cm |
| Titel | Painting project - Such a Pretty Thing n |
| Jaartal | 2010 |
| Omschrijving | The theme behind these paintings: The tendency of parents in modern society to put their child on a pedestal. Almost like a reverse of roles, does the child become the adult's dream or how do they relate to one another and then what is the meaning of this in our concept of beauty |
| Techniek | oil on canvas |
| Formaat | 100x90 cm |
| Titel | Painting project - Such a Pretty Thing n |
| Jaartal | 2010 |
| Omschrijving | The theme behind these paintings: The tendency of parents in modern society to put their child on a pedestal. Almost like a reverse of roles, does the child become the adult's dream or how do they relate to one another and then what is the meaning of this in our concept of beauty |
| Techniek | oil on canvas |
| Formaat | 100x90 cm |
Riedstra: contemporary artist > painting projects > drawings > drawingbooks on 'art in dayly life'. Point of departure: Estrangement in a large context, related to the world of today. Riedstra steadily builds a valuable collection of paintings based on contemporary issues. In this painting process the chosen subject is transformed by personal interpretation to a unique image. She uses the abstract form in combination with a realistic form, this creates a necessary tension. The combination of colours that she uses are uncommon and fascinating. Ludwig Trossaert (gallerist)
| Voorletters | |
|---|---|
| Kunstenaarsnaam/alias | |
| Samenwerkingsverband | |
| Website | www.riedstra.eu |
| Academie / instituut & plaats | studierichting / specialisatie | periode van / tot | diploma |
| Utrecht, HKU faculteit Kunst en Vormgeving | M.A. Scenography, Central St Martins London, HKU Utrecht, Sevilla Spanje | 1997-1999 | J |
| Instituut / docent & plaats | (studie)richting | periode van / tot |
| Ak.beeldende Kunst-Tel-Aviv / Koningklijke Akademie Den Haag | monumentaal / schilderen | 1980-1986 |
| Naam instituut & plaats | onderwerp | periode van / tot |
| SAE Rotterdam | Multi-MediaWebdesign | 2000-2001 |
| Lid van Beroeps / Kunstenaarsvereniging | |
|---|---|
| Deelnemer van Kunstenaarsinitiatief | Initiator kunstprojecten,ad hoc samenwerking met diverse kunstenaars |
| jaartal | naam tentoonstellingsruimte | korte omschrijving | solo / duo / groep |
| 2013 | Stockholm International Supermarket Artfair Sweden | Presentation Challenging Nature ArtProject at international Supermarket Artfair Sweden. > The Basic assumption for this project: Societies around the world change nature by force, but nature challenges itself. It adepts itself to it‘s own new form. | GROEP |
| 2012 | Scandinavian tour: Hilton gallery Copenhagen + Stockholm (Sweden Norway) | Painting Projects ´Challenging Nature 2nd series´ - ´Walls of Lisbon´ | SOLO |
| 2012 | Leuven M - Museum Belgium | Canvas Collection preselection 2012 with painting project 'Such a Pretty Thing' > The theme behind these paintings: The tendency of parents in modern society to put their child on a pedestal. Almost like a reverse of roles, does the child become the adult's dream or how do they relate to one another and then what is the meaning of this in our concept of beauty. | SOLO |
| 2010 | Aalsmeer Museal Retrospective; gallery Sous Terre Netherlands | Museal Retrospective: Painting Projects > Barbs > Walls of Lisbon > Such a Pretty Thing > Gouaches Project Q Fever 20th of December 2009 | SOLO |
| 2009 | Antwerp Galery Ludwig Trossaert Belgium | Special Presentation of artists in permanent collection Belgium | GROEP |
| 2009 | Antwerp Gallery Ludwig Trossaert Belgium | Painting project 'Walls of Lisbon' > Riedstra has chosen the authentic elements of the city as a part of daily life and the contradictions that lie within. In the grand lies the detail and the detail incorporates the grand. Par example in Lisbon | SOLO |
| 2008 | London Red Gate Gallery England | Presentation 'Barbs Project' Initiative Riedstra (collaboration with Brittish artists working in different fields), included catwalk | GROEP |
| 2008 | Mechelen Kasteel Tivoli Belgium | Projec 'WorldDownsyndrom' International presentation of artists concerned with Downsyndrom | GROEP |
| 2008 | Amsterdam International Fashion Week Netherlands | 'Barbs' | SOLO |
| 2007 | Antwerp Galerie Ludwig Trossaert Belgium | 'Barbs' painting project > Artproject Barbs 2007 - 2008 'BARBS' are about women (specially) who are strongly influenced by an unrealistic concept about beauty, created by the media and the cosmetic industry of the world of today. | SOLO |
| naam | plaats & land |
| Galerie Ludwig Trossaert | Antwerpen / Belgié |
| jaartal | instelling | titel & typering project |
| 2012 | Kunst/cultuuroute Zeeland | Kunstschouw Westerschouwen Bieden van een podium aan een jaarlijks wisselende kunstenaars. Met als uitgangspunt: verniewing en originaliteit. |
| 2011 | Contact gelegd met kunstinstellingen: o.a. Quartair, Nes, Vishal | 'Challenging Nature ArtProject' ‘Challenging Nature’ project 2011 – 2012 The Challenging Nature project brings together artists from different disciplines in whose oeuvre ‘nature’ is a vital subject. How does human kind approach nature? Does the economic benefits prevail; is n |
| jaartal | instelling |
| 2012 | Leuven M - Museum Canvas Collection |
| jaartal | opdrachtgever | plaats / land | typering opdracht | uitgevoerd |
| 2010 | Computent | Eindhoven | Backgrounds digital presentation designs Seminar San fransisco | J |
| 2010 | muziekschool EVDB | Den Haag | Vernieuwd Ontwerp en uitvoering creatieve website | J |
| 2009 | Particulier | Den Haag | portret opdracht | J |
| 2008 | Inno-Strategics | Breda | Kunstboek Barbs | J |
| 2007 | Particulier | Groningen | portret opdracht | J |
| jaartal | naam collectie | plaats / land | omschrijving aankoop |
| 2010 | Inno-Strategics | Breda | 2 Gouaches uit serie Q Fever 22nd of December 2009 |
| 2010 | particulier | Eindhoven | 3 Gouaches uit serie Q Fever 22nd of December 2009 |
| 2009 | particulier | Eindhoven | atelier keuze |
| 2009 | Yara Tsallinger (gallerist) | London | 1 doek Uit Barbs serie |
| 2009 | Kunstverzamelaar | Oostende | 4 doeken uit walls of lisbon serie |
| 2008 | particulier | Den Haag | diptych ' Speechless' |
| 2007 | kunstverzamelaars - Galerie Ludwig trossaert | Antwerpen | 4 doeken uit Barbs series |
| jaartal | titel publicatie | uitgever / samensteller, plaats | typering |
| 2010 | review on Museal Retrospective; gallery Sous Terre Netherlands | journalist | article |
| 2009 | Walls of Lisbon catalogus 2009 | galerie Ludwig Trossaert | catalogus luxe uitgave |
| 2008 | article on Dutch artist Riedstra / Barbs | journalist International fashionweek team / Amsterdam | article |
| 2008 | Divers reviews + press release Barbs london | journalists, critics + Yara Tsjallinger / London | press release + reviews |
| 2007 | Kunstgids nederland | Made in Holland / Zeist | publicatie |
| 2007 | reviews, concerning Barbs exhibition Antwerp | journalists | reviews |
| nevenactiviteit | van | tot |
| initiator - curator - organisation Artproject > Challenging Nature Project | 2011 | 2013 |
| in ontwikkeling: ' getsmartinart' / mbt art in dayly life | 2008 | 2012 |