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peter jansen
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Disciplines: Mixed media/interdisciplinair kunstenaar
Omschrijving werk
Peter Jansen created his first panoramic work in 1977 on Route 66 in Amarillo, Texas. The second, in 1978, was a quintuple panoramic piece of the sky between Rue Benoit and Rue de Rennes in Paris. Two years later, again in Paris, his first so called 'photo-painting' was made: a view from the Paris Hilton. More of these panoramic compositions followed. In a way they are characterized by a technique that resembles 'painting with photo prints'. Every single print might be seen as a brush stroke.Looking in detail at these works one might observe several layers of attention: the choice and concept of the subject, the affect of color, the position of the viewer, the sometimes iconic subjects, his varied concentration during the pace of time while creating the sometimes 30 or more 'brush strokes'. But always resulting in unexpected forms. From strait lines to strange curves, a scattered field of almost unintentionally grouped pictures or carefully planned results.
Werk
| Titel |
Bend in the Zambezi River |
| Jaartal |
2006 |
| Omschrijving |
|
| Techniek |
digital images |
| Formaat |
400x180 cm |
| Titel |
Bend in the Omo River |
| Jaartal |
2006 |
| Omschrijving |
|
| Techniek |
digital images |
| Formaat |
200x80 cm |
| Titel |
Victoria Falls |
| Jaartal |
2006 |
| Omschrijving |
|
| Techniek |
digital images |
| Formaat |
200x60 cm |
| Titel |
The Namib Desert |
| Jaartal |
2005 |
| Omschrijving |
|
| Techniek |
digital images |
| Formaat |
500x100 cm |
| Titel |
Fish River Canion |
| Jaartal |
2005 |
| Omschrijving |
|
| Techniek |
digital images |
| Formaat |
500x160 cm |
| Titel |
Nullarbor Desert Australia |
| Jaartal |
2002 |
| Omschrijving |
|
| Techniek |
digital images |
| Formaat |
240x15 cm |
| Titel |
Sky between Rue Benoit and Rue de Renne |
| Jaartal |
1978 |
| Omschrijving |
|
| Techniek |
Foto collage |
| Formaat |
50x20 cm |
| Titel |
53rd Street New York |
| Jaartal |
1982 |
| Omschrijving |
|
| Techniek |
Foto collage |
| Formaat |
100x65 cm |
Omschrijving werk
Peter Jansen created his first panoramic work in 1977 on Route 66 in Amarillo, Texas. The second, in 1978, was a quintuple panoramic piece of the sky between Rue Benoit and Rue de Rennes in Paris. Two years later, again in Paris, his first so called 'photo-painting' was made: a view from the Paris Hilton. More of these panoramic compositions followed. In a way they are characterized by a technique that resembles 'painting with photo prints'. Every single print might be seen as a brush stroke.Looking in detail at these works one might observe several layers of attention: the choice and concept of the subject, the affect of color, the position of the viewer, the sometimes iconic subjects, his varied concentration during the pace of time while creating the sometimes 30 or more 'brush strokes'. But always resulting in unexpected forms. From strait lines to strange curves, a scattered field of almost unintentionally grouped pictures or carefully planned results.
Persoonsgegevens
| Voorletters |
|
| Kunstenaarsnaam/alias |
peter jansen |
| Samenwerkingsverband |
kunstopdrachten tot 1998 met Matthijs van Dam |
| Website |
www.peter-jansen.com |
Opleidingsgegevens
Erkende vakopleiding
| Academie / instituut & plaats |
studierichting / specialisatie |
periode van / tot |
diploma |
| Den Haag, Koninklijke Academie van Beeldende Kunsten |
vrije schilderkunst |
1956-1961 |
J |
Overige gegevens
| Lid van Beroeps / Kunstenaarsvereniging |
FNV Kiem |
| Deelnemer van Kunstenaarsinitiatief |
|
Curriculum vitae
Tentoonstellingen
| jaartal |
naam tentoonstellingsruimte |
korte omschrijving |
solo / duo / groep |
| 1994 |
Starke Diepstra |
1e prijs GSM Entenne |
GROEP |
| 1988 |
Centrum Beeldende Kunst Rotterdam |
Gemeentelijke Kunstopdrachten |
GROEP |
| 1986 |
Bonnefanten Museum |
Digitale Beelden |
GROEP |
| 1969 |
Pulchri Studio |
One Man Show |
SOLO |
| 1965 |
Galerie Numero, Florence |
One Man Show |
SOLO |
| 1965 |
Galerie Wout Vuyk |
with Armando |
DUO |
| 1965 |
Galerie Numero, Venice, Milano |
with Peter Struycken, Aat Verhoog |
GROEP |
| 1964 |
Het Slot, Zeist |
Nieuwe Figuratieven |
GROEP |
| 1963 |
Gemeentemuseum Den Haag |
Recente aankopen |
GROEP |
| 1963 |
Musee d'Art Modene, Paris |
3rd Biennale de Paris |
GROEP |
Vertegenwoordiging
| naam |
plaats & land |
| zie: http://www.peter-jansen.com/CV.htm |
|
Opdrachten
| jaartal |
opdrachtgever |
plaats / land |
typering opdracht |
uitgevoerd |
| 0000 |
Gemeente Den Haag |
Scheveningseweg |
(steel sculpture, landmark, height 63 feet |
J |
| 0000 |
Gemeente Den Haag |
Binckhorst Trace |
steel and polyester sculpture, landmark, height 60 feet |
J |
| 0000 |
Gemeente Amsterdam |
Bijlmermeer |
steel and polyester sculpture, landmark, height 56 feet |
J |
| 0000 |
Gemeente Hellevoetsluis |
Stadhuis |
sculpture in marble and programmed light |
J |
| 0000 |
Gemeente Den Helder |
Stadhuis |
2 steel sculptures, length 26 feet, height 49 feet meters |
J |
| 0000 |
Gemeente Rotterdam |
Marconiplein |
with Bob Bonies, 24 murals of 10 x 10 feet each |
J |
| 0000 |
Gemeente Den Bosch |
Noord Entree |
3 steel sculptures, landmark, heights 60 and 13 feet |
J |
| 0000 |
Gemeente Rotterdam |
Metro Station Dijkzicht |
polyester high-relief, length 65 feet, height 12 feet |
J |
| 0000 |
emeente Leeuwarden |
Camminghaburen |
polyester and steel sculpture, landmark, height 40 feet |
J |
| 0000 |
Gemeente Rotterdam |
Metrosplising Ommoord |
16 steel columns, landmark, height each 39 feet |
J |
Aankopen / werken in collecties
| jaartal |
naam collectie |
plaats / land |
omschrijving aankoop |
|
Germeente Museum |
Den Haag |
diverse |
|
Rijkscollectie |
The Netherlands |
diverse |
|
Private collections |
International |
diverse |
Publicaties
| jaartal |
titel publicatie |
uitgever / samensteller, plaats |
typering |
| 1992 |
Sculptures in the Hague |
Stroom |
art book |
| 1987 |
Environmental Art in Amsterdam |
Arbeiderspers |
art book |
| 1987 |
Metro-Art in Metropolitans |
The Central Bank, Brussels |
art book |
| 1986 |
Digital Images |
Bonnefanten Museum Maastricht |
catalogue |
| 1983 |
Commissions |
Centre of the Arts, Rotterdam |
art book |
| 1966 |
Contour onzer Beeldende Kunsten |
Stedelijk Museum, Delft |
catalogue |
| 1963 |
'Selected Acquisitions 1957-1963' publication |
Municipal Museum The Hague |
catalogue |
| 1963 |
'Third Biennial of Paris |
Musee d'Art Moderne de Paris |
catalogue |
Prijzen en stipendia
| jaartal |
instantie, plaats |
omschrijving |
| 1965 |
Koninklijke subsidie |
|
| 1963 |
Koninklijke subsidie |
|
Artistieke nevenactiviteiten
| nevenactiviteit |
van |
tot |
| travels non-stop with his wife Louise |
1994 |
now |
| directeur Hogeschool vd Kunsten Utrecht |
1988 |
1993 |
| lid adviescommissie voor computergebruik in het kunstonderwijs |
1986 |
1988 |
| lid Raad vd Kunst |
1982 |
1985 |