Disciplines:
drawings, endless, "looped" lines in construktion of abstrakt sceneries, video installations, containing looped movements of people, or real life situations giving a different view on reality,
drawings, endless, "looped" lines in construktion of abstrakt sceneries, video installations, containing looped movements of people, or real life situations giving a different view on reality,
| Voorletters | |
|---|---|
| Kunstenaarsnaam/alias | |
| Samenwerkingsverband | |
| Website | www.videodraws.me |
| Academie / instituut & plaats | studierichting / specialisatie | periode van / tot | diploma |
| Enschede, AKI | Monumentaal | 1998-2002 |
| Lid van Beroeps / Kunstenaarsvereniging | |
|---|---|
| Deelnemer van Kunstenaarsinitiatief |
| jaartal | naam tentoonstellingsruimte | korte omschrijving | solo / duo / groep |
| 2012 | Triptychon Münster, Germany | improvised electronic music and sounds | GROEP |
| 2012 | Gallery „UHM“at the „Hoogtij“-open Galleries, Den Haag | Video, improvised electronic music and sounds | GROEP |
| 2012 | Gallery | Project exhibition | GROEP |
| 2011 | Gemak, Den Haag | "De Lancering" , "Canon", together with Topp & Dubio | GROEP |
| 2011 | Rhenania Köln, Germany | „Drawings and Sound“ | SOLO |
| 2010 | Triptychon Münster, Germany | 4 exhibitions with Drawings, Videoinstallations and Dance performance | GROEP |
| 2008 | "Ditisdit" Project Space, "Hoogtij" Den Haag | dancing videoinstallation | GROEP |
| 2008 | SAP, Seoksu Market, Seoul, Korea | painting performance | GROEP |
| 2008 | Litmus, Seoul, Korea | outdoor paintings, installations, workshop | GROEP |
| 2008 | Gallery | Drawings | SOLO |
| jaartal | instelling | titel & typering project |
| 2012 | Tent Rotterdam | Tupajumi kunst ruil |
| 2011 | Nest Den Haag | Tupajumi kunst ruil |
| jaartal | instelling |
| 2011 | Szentendre Summer Camp Workshop, Budapest, Ungarn |
| jaartal | titel publicatie | uitgever / samensteller, plaats | typering |
| 2012 | www.videodraws.me | website | |
| jaartal | instantie, plaats | omschrijving |